And now for something completely different.
This has nothing to do with the IF Comp. Nor does this have anything to do with adventure games, interactive fiction, or indie game development. It does, however, concern a medieval European abbey and the intersection between monks, manuscripts, and modern technology, and if you haven’t noticed I just can’t help but be drawn to juicy stuff like that.
I caught this story in the NY Times while traveling on a cross-country flight, and thanks to the miracle of the web you, too, can partake. John Tagliabue reports that a vast collection of handwritten medieval books and manuscripts, one of the oldest and most valuable collections in the world, is going online with the support of a grant from the Andrew W. Mellon Foundation. (Link may require a login to the NY Times web site.)
The monastery in St. Gallen, Switzerland, is so [More...]

IFComp: Adventures in Capture
Venturing ever farther with the next batch of IFComp entries, as I review my initial impressions of each game’s opening (introduction, “About” screens, and the first location), summarized by the Capture Score from 1 (intriguing; a definite play) to 4 (dreadful and forgettable). Just a reminder, no spoilers here, just early impressions.
Games covered here include “Grief”, “April in Paris”, “Ananachronist”, and “LAIR of the CyberCow”.
“Grief”, by Simon Christiansen
This game starts by asking me if I’m male or female. I like when games do this, given the extra amount of work that this typically requires, although I don’t yet know how well this is incorporated into the game or what kind of impact it might have on the narrative. Still, it’s the kind of thing that could give the game some extra replay value.
The game begins in a dream, at least so I’m told, and there [More...]